Paintings
The surviving paintings of Johannes Vermeer, alongside the disputed attributions, honest copies, and twentieth-century forgeries that once passed under his name. Browse the full catalogue, or see where each work hangs today.
Early period
Large-scale history paintings (c. 1654–1657)
Transitional
Shift to genre scenes (c. 1656–1658)
Mature period
Quiet domestic interiors with natural light (c. 1657–1668)

Girl Reading a Letter at an Open Window
1657–1659

The Little Street
1657–1661

The Milkmaid
1657–1661

Girl Interrupted in her Music
1658–1661

The Glass of Wine
1658–1661

The Girl with a Wine Glass
1659–1662

View of Delft
1660–1663

A Lady Writing
1662–1667

The Music Lesson
1662–1665

Woman Holding a Balance
1662–1665

Woman in Blue Reading a Letter
1662–1665

Woman with a Lute
1662–1665

Woman with a Pearl Necklace
1662–1665

Young Woman with a Water Pitcher
1662–1665

The Concert
1663–1666

Associate of Johannes Vermeer (NGA, 2022)
Girl with a Flute
1665–1670
Disputed
Girl with a Pearl Earring
1665

Girl with a Red Hat
1665–1667

Study of a Young Woman
1665–1674

Mistress and Maid
1666–1668
Late period
Cooler, harder, more linear style (c. 1668–1675)

The Art of Painting
1662–1668

The Love Letter
1667–1670

The Astronomer
1668

The Geographer
1668–1669

The Lacemaker
1669–1671

A Lady Seated at a Virginal
1670–1675

A Lady Standing at a Virginal
1670–1674

Johannes Vermeer
A Young Woman Seated at the Virginals
1670
Disputed
Allegory of Faith
1670–1674

Lady Writing a Letter with her Maid
1670–1671

The Guitar Player
1670–1673
Motifs
Browse the paintings by the subjects that recur across Vermeer’s work — tronies, the yellow jacket, pearls, letters, music, and the maps and globes on his walls.
Lost works
Paintings recorded as Vermeer’s in 17th- and 18th-century auction catalogues and estate inventories that match no surviving work, known only from a line of documentary description.
Forgeries and copies
Paintings once hung or sold as Vermeers and now firmly given to other hands, including the forgers Han van Meegeren and Theodorus van Wijngaarden, alongside honest copies after Vermeer.





