Forgeries and copies
Paintings once hung or sold as Vermeers and now firmly given to other hands, including the twentieth-century forgers Han van Meegeren and Theodorus van Wijngaarden, alongside honest copies after Vermeer.

Unknown
A Lady Playing the Guitar
1670–1720
Copy
Unknown imitator (formerly attributed to Han van Meegeren)
A Young Woman Reading
1925–1928
Forgery
Han van Meegeren
Christ and the Adulteress
1942
Forgery
Han van Meegeren
Christ at Emmaus
1936–1937
ForgeryHan van Meegeren
Interior with Cardplayers
1938–1939
ForgeryHan van Meegeren
Interior with Drinkers
1937–1938
Forgery
Han van Meegeren
Jesus among the Doctors
1945
Forgery
Han van Meegeren
Lady Playing Music
1935–1936
Forgery
Han van Meegeren
Lady Reading Music
1935–1936
Forgery
Han van Meegeren (attributed)
Lady with a Blue Hat
1930
Forgery
Han van Meegeren
Man and Woman at a Spinet
1932
Forgery
Han van Meegeren
The Blessing of Jacob
1941–1942
Forgery
Han van Meegeren
The Head of Christ
1940–1941
Forgery
Salvador Dalí
The Lacemaker (after Vermeer)
1955
Copy
Theodorus van Wijngaarden (attributed)
The Lacemaker
1925
Forgery
Han van Meegeren
The Last Supper I
1938–1939
Forgery
Han van Meegeren
The Last Supper II
1940–1942
Forgery
Han van Meegeren
The Procuress
1935–1940
Forgery
Theodorus van Wijngaarden (attributed)
The Smiling Girl
1925
Forgery
Han van Meegeren
The Washing of the Feet
1941–1943
Forgery
Claus Meyer, after Johannes Vermeer
Woman Reading a Letter in an Interior
1890
Copy